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Hello! This is LittleRaven on AO3!
I'm so happy you're here. Thank you for whatever you decide to create for me! If you would like to see more thoughts beyond my signup details, or even just my signup details in list form and not as a blocks of text, this is for you. If not, feel free to go with where the story takes you; I'd be happy to see what you create, as long as my dnws are respected!
Please disregard any variation in length when it comes to prompts; I want all of these things!
Likes:
Parallels and contrasts between characters and their journeys. Characters looking out for each other and rescuing each other, giving care and emotional support. Especially women receiving care and support, getting their needs made a priority by their loved ones. Canon divergence and role reversals are loved, though I also enjoy other AUs.
More things I enjoy:
- fusions, CYOA, outside pov, story/fragments of story as told in-universe, IF/interactive fiction, illustrated fic, poetry, epistolary, vignettes, character studies, plotty stuff, 5+1 stories, angst, fluff, smut, adventure, characters talking to each other, road trips
- enemies to lovers, friends/lovers to enemies to lovers/friends, pining, worldbuilding, quiet character moments
- bittersweet endings, happy endings, open/ambiguous endings
- quiet and subtle romance, the total opposite of quiet and subtle romance, psychological horror, messy and complicated dynamics, blurring between obligation/need and love, fear/horror/anger mixed with desire/love
- politics, isolation, competitiveness, limited agency, legacy, manipulation, scheming
- Force bonds, Force shenanigans, Force Ghosts, Ahsoka’s fangs, connecting to the force together
- time travel, weird worlds/dimensions, time moves differently, time loops (including those which get reset with death, and where the person in the loop resets it purposefully by dying), time freezing
- undercover, undercover as a couple, mission fic, teaching games
- scars, suspense, compromised sense of self, interpersonal tension, duty versus desire, love/hate, possessiveness, insecurity, secret relationships, secrets
- trust issues, implicit trust, emotional intimacy
- casual displays of affection, shared beds, snuggling, sitting/lying in laps, jumping people, rough kissing, neck kissing, kissing tears, kissing hands (back of or palm), nuzzling, afterglow cuddles, sexy baths, sexy showers, bruises, marks, hair-pulling, face-touching, arms around shoulders/waists, forehead kisses, forehead touching, tied up with own clothes/other's clothes/clothes in general, nuzzling, hand holding, choking, breathplay, bloodplay, biting, scratching, growling, blindfolding, chains
- stories where the woman/women are a significant part of the man/men’s characterization, stories where the woman/women are a significant part of each other’s characterization, characters gathering each other’s backstory a little at a time, investigating each other
- spying, sex and violence paired together, body heat sharing
- loneliness, mutual pining
- dreams, fix-it, parallel universes, parallel universe characters
- us against the world
- ghosts
- rule 63'ing male characters (where they were always a girl)
- learning new skills
- gothic romance
Smut Likes:
- character focus in smut, competitive smut, ulterior motives for sex, scars, possessiveness, love/hate, the divine as sex
- cunnilingus, choking, breathplay, bloodplay, biting, scratching, Ahsoka's fangs, growling, blindfolding, chains, rough sex, rough kissing, lap sex, sex on furniture, sex against walls, slow sex, quick sex, gentle sex, neck kissing, kissing tears, kissing hands (back of or palm), nuzzling, afterglow cuddles, underwater sex, sexy baths, sexy showers, desperate sex, bruises, marks, hair-pulling, face-touching, arms around shoulders/waists, eating her out while holding her hand, multiple orgasms, forehead kisses, forehead touching, tied up with own clothes/other's clothes/clothes in general, nuzzling, hand holding, learning new skills, kneeling for cunnilingus and then needing to support her legs as they buckle
- trust issues, implicit trust, emotional intimacy, casual displays of affection
- shared beds, snuggling, jumping people, sitting/lying in laps
- sex and violence paired together, fucking in the same room as your enemies' corpse
- body heat sharing
- dreams
- pining, mutual pining
- ghost sex
- feeling each others' sensations during sex
- Force/magic shenanigans, using the Force for sex, Vulcan Mind Meld during on-your-knees cunnilingus
AU Likes:
Canon divergence
Period AUs - Regency (played straight or fantasy/science-fiction, in our world or another), 1920s, Jazz Age, Medieval, Renaissance, Byzantine Empire, Ancient Roman, Ancient Greece
Genres - planetary romance, fairy tale, magical girl, steampunk, pirate, high fantasy, noir
Other Canons - Buffy the Vampire Slayer, Star Wars, Star Trek, Jupiter Ascending, Silent Hill (2006), Clue, Annihilation (2018), Southern Reach trilogy, 30 Days of Night, The Mummy (1999-2001), Happy Death Day, Pacific Rim
IF Likes:
I use Windows 7 and Apple mobile devices. Most of my experience is with choice games--for example, like Alabaster, The Book of Guenevere, Affairs of the Court, visual novels like Oxenfree and Cinders, dating sims like Long Live the Queen and Magical Diary , and paper books where you turn to a page for every choice--but I’d be delighted with a parser game too. Puzzles, mazes, and timers aren’t a strength of mine, so I would enjoy a walkthrough if those are present.
Art Likes:
General:
any art style, rough sketches and clean line art both, color and composition to set mood, comics, scenery, single and group character poses, cute or actiony or romantic or moody or creepy, character expressions, body language, art of characters as tarot cards, dreams, in-universe art, characters with their loved ones (whether or not they're having a good time), characters with their enemies, characters doing the kind of thing they are good at in canon, lineart, lineless art, black and white/grayscale, bright colors, deep colors, subdued colors, pastel colors, monochrome, color highlights, anything with my AU likes
Poses:
non-explicit poses like characters kissing (on the mouth, the temple, the top of the head, hands, the cheek, etc), holding hands, hugging, carrying each other (princess carry, fireman, piggyback, shoulder rides), and pressing their foreheads together, petting their faces/hair, arms around shoulders/waists
explicit poses involving anything in my smut likes
Vid Likes:
Atmosphere, created reality, action, character study, pretty images, editing that builds on parallels and/or tells a story, or just has all the feelings (happy, bittersweet, funny, sweet, suspenseful, sweepingly romantic.) Or maybe video that's used in an educational context, or that's part of a report.
For music, I tend to enjoy the sounds of most genres.
DNWs:
If you have questions about any of these as they apply to a request, I welcome contact through the mod!
- bleak/hopeless endings, permanently dead female characters (where she’s not even a ghost)
- mpreg
- detailed gore, detailed description of bodily fluids and excretions, watersports, scat, emetophilia
- noncon (unless requested/prompted)—dubcon is fine, rape (except where otherwise specified), a/b/o,bestiality, oviposition, monster sex, tentacle sex, flowery terms for body parts (love cave, love tunnel), sex without attraction, anal tearing, ass to mouth
- body horror, explicit torture, permanently damaging torture, maiming, mutilating
- animal harm, animal death
- rule 63’ing female characters
- bashing of characters or ships
- unrequited love (except if it's prompted, or if it’s only unrequited in a characters' head)
- permanent breakups unless prompted
- focus on requested characters in unrequested/unprompted ships, non-canon unrequested ships, unrequested/unprompted poly/open relationships
- stories where nobody really cares about the woman/women in the ship
- AUs which don't use canon settings (unless prompted/requested/in list of likes)
- underage (17+ is fine, whether you change canon ages or set things when the characters would be 17+)
- ageplay/infantilization; unrequested/unprompted humiliation
- sexuality/gender headcanons
- coronavirus
- incest (unless prompted/requested), selfcest (unless prompted/requested)
- necrophilia
- vore
- insects, arachnids
- the concept of Anakin and Ahsoka as a father/daugher relationship, dead Ahsoka (unless it's older Force Ghost Ahsoka and/or Ahsoka and Anakin being Force Ghosts together), Jedi Order as evil/immoral (versus deeply flawed institution, which is good)
Length Opt-Ins:
Since "Length Opt-In: Any Nominated Fanfiction Opt-In" appears in every request, I thought it might be helpful to list all the things which that tag covers:
Length Opt-In: 300 minimum words per fic
Length Opt-In: 420 Words Exactly
Length Opt-In: 500 minimum words per fic
Length Opt-In: 666 words exactly
Length Opt-In: 750 minimum words per fic
Length Opt-In: 777 words exactly
Length Opt-In: 999 words exactly
Length Opt-In: Double Drabble
Length Opt-In: Drabble
Length Opt-In: Drabble Series
Length Opt-In: Triple Drabble
NOS4A2 (TV 2019)
Solo: Vic McQueen (NOS4A2)
I love Vic and so feel for her attempts to believe she can claim a space in the world for herself, her fear that she can't and doesn't belong in the kind of life she wants to have, her despair and her struggle. I'd just love to have anything! Give me Vic struggling with her trauma, and/or having a moment that's not so bad, that gives her hope.
A good July Fourth memory! I like how that's something she passed on to her son, and that they both enjoy. Or maybe her relationship to her art; she seems to drop it after the incident in her father's girlfriends' garage, when she uses it to cope with her pain and stress and it contributes to the deterioration of her relationship with her father, and though she does pick it back up in a different way during the years in Gunbarrel, she doesn't seem to recommit until the end, when it becomes something she uses to make things better with Wayne. What about her pregnancy? She was determined not to get pregnant young, but then she kept the baby, and we saw it was a difficult birth, one that left her worried about the baby. I'd also love something exploring the way she tries to keep things together for her family, past and present, and the responsibility she feels to make things okay, to be okay, to help the people she feels need her, whether it's her parents when they fight, or Haley, or eventually Maggie, Jolene, Craig and Wayne and Lou. And her fear that she can't be what she needs to be, what others need her to be, that she can't have and doesn't belong in the life she wants, her attempts to keep herself together. I liked that the text of the show described her as traumatized through Tabitha's outside gaze, and that with Chris' episode, the show seemed to be situating her alongside her war veteran father and grandfather as having PTSD. Exploration of that PTSD, with or without a focus on the element of trauma across the generations of her family, would be interesting to me!
What about time travel, or being stuck in a time loop? Given this canon’s focus on trauma and how it can be part of you and extend to others, how a person can be “stuck” in it, and identify with it or experience life’s possibilities as bound by it, I think time travel, time loops, and alternate dimensions could provide interesting way to look at Vic. She could be stuck and relive her pain, or relate to who she was/will be in a more literal way, or see who she might have been, or could still be. Would she try to rescue her younger self, change a decision, or feel fatalistic about the possibility of changing her life? What if she sees an alternate universe version of herself--perhaps one that did go to school with the scholarship she earned, whether or not she kept the baby? I feel like with time travel, there’s so much more opportunity for self-reflection, self-knowledge and understanding, and change.
All her dynamics interest me! I'd love gen focusing on one of these relationships. Ship-wise, I'd be happy with Maggie, Drew, Craig, Lou, and (unrequited on his part) Vic/Charlie.
With Craig - Would enjoy seeing something from the time they and Willa were friends before they drifted apart! Or looks at their relationship while it lasts, or her in the immediate aftermath of his death. I like that she tells him about her secret ability, and how they come together because he's there for her unconditionally when she's feeling more and more isolated on shaky ground. When together, they do things (drugs, alcohol) she'd previously spoken about as keeping him away from her. Losing her sense of herself and her life lets them be close again, and then she feels totally disconnected from what she wanted when she can't save him. That's interesting!
With Willa - I'd like to see something from when they were friends before high school! Or more of them interacting after they meet back up again in the show. They don't get each other's lives, exactly, but Vic does seem to both like her and respond to Willa, to push herself out of her comfort zone to get what she wants (with her path to trying to get into art school.)
With Drew - I liked that he wanted to support and take care of Vic, and that she seemed happy with him. They have a disconnect in how they see the world and themselves in relation to it, relating not just to their class but to their relationships with their families. It's interesting that his attempt to show concern came out so terribly because of that disconnect, such that he hits upon her struggles with her father but can't actually offer anything she needs in doing so, leaving her alienated, feeling more alone than before. I'd be into more moments of their relationship before that, showing that tension of her being happy but not quite sure they fit. Or maybe what would've happened if he'd kept from opining on her family, or just been there for her instead.
With Wayne - Maybe something of her and Wayne drawing together post-series? I liked when Wayne asked her if she ever got all the way better, and her lying, but later trying to help him cope with his experiences by offering more openness than she had previously exhibited, and the care she took in trying to convey her meaning to her child. How do you talk about that with your kid? Or what about a moment before the start of season two, in which she tries to be there for him and it doesn't go all bad?
With Linda - Talking with her mother; their parenting is different, in that Vic seems to have tried to be the indulgent figure her dad was to her, but also similar, in that her fear for her kid was part of a pain that strained their relationship in how she handled it, despite her best efforts. I liked that she saw herself in her mom by the end of the show.
With Lou - Having a moment of openness with Lou. I like how he tries so hard to be there for her, while being willing to call her out and pull her out of her head when she's lost perspective on what he and Wayne need from her. And I like that she does try and listen to him. I would also be interested in a look at how their relationship grew between seasons! She tries to keep it together for him, and for the sake of the life she's trying to build and protect with him and Wayne, but that projection of strength and her trying to be okay actually alienate him despite his best efforts. The tension between what they try to be and want to be, the ways their relationship doesn't work and the ways that it does, and the fact that they both still love each other and want to keep trying--I'd be so into more of that.
With Haley - What about Haley--does she see Haley after? She cared for this girl, was driven to help her; how would she feel about seeing her, or not seeing her, having rescued her years later? I'd also like to see something of their past, a time when she babysat her.
With Millie - What if Millie comes back and tries to see Wayne? It would be interesting for Vic to meet the girl whose father she killed--with the same girl's help--after he killed her father. They both have a journey of being daddy's girls and losing faith in their fathers while coming to connect with their mothers, and being stuck in quagmires after Charlie derailed their lives. And I liked Vic recognizing that Millie was scared during the initial confrontation in Christmasland--there's a lot going on there, with Vic trying to get her son and try to reach him, undermine Charlie's influence, through Millie, but also maybe seeing herself, as a teenager, struggling with how she saw her father.
With Maggie - Or a moment of her choosing to be there for Maggie after Maggie decides to explore more of the Creative worlds out there, despite not agreeing with her decision? They keep coming back to each other, after all; when one tries to leave the supernatural behind while the other stays with it, she ends up getting pulled back. I enjoy their chats, whether in bed or at bodies of water, and how they need to be at each other's hospital beds, and things like Vic going back for Maggie and Maggie pulling Vic away from destruction on her own bridge.
With Chris - Thinking back on her father and her relationship with/projection onto him? The unsettling shifts in her perception of him, of their connection, and of their similarities? She tries so hard to rely on him, only to reject that severely when she feels she can't do it anymore. Their relationship and her self-perception are so tied up, I'd love to see her coping with that during the show, or between seasons, or after he's dead.
With Charlie - Vic's haunted. Figuratively, or maybe literally! Given that ghosts do exist in this universe, and that they seem to be tied both to a Creative's power to break through dimensions and the personal connections they had to the living, it makes sense that Vic could have ghosts. Like Charlie, who died in her inscape. I find the connection between their narratives in the show interesting. We see him tell her things that reflect her own fears about who she's become and how she is as a mother. His story echoes and parallels hers to an extent--the being closed-off regarding past trauma when they're trying to build a life and family, the alcoholism, the fact that they are just not fine and not doing great, experiencing sexual assault, how they attempt to use their words to sway Bing's loyalties--but they also contrast, in that her self-destruction involves her trying to flee her family for their safety, and his self-destruction involves taking his family along with him. He's as horrible as she fears she is and they're stuck in how they think of themselves.
With Bing - She was feeling fairly lonely at the beginning of the series, which I feel influenced their initial friendship, and then the thing he does to get himself a more fulfilling life is part of what destroys her. It would be interesting to explore the aftermath of finding Sharon's body, of knowing what he did, and the ways her perception of him and everything she thought she knew have been shattered and shifted. I like the tension in how his trying to force her forgiveness makes her word things so carefully and touch his hand, how messed up that whole situation is, and that she has Lou's support as she goes through it. Seeing how this affects her, and how she copes with it, is something I'd be into.
With Jolene - They had such a short time knowing each other, but I really liked Vic's care as she helped Jolene get up and get into her wheelchair, and Vic finding her amazing, and wanting the relief of having Jolene help her with Charlie, only to watch her die and internalize her insistence that Vic had to be the one to handle him. I'd love to get more of them somehow, or to see the impact Jolene had on her.
I dnw bleak/hopeless endings, but if it helps makes things any clearer for this fandom: an ending that seems bleak and hopeless for the characters because it's canon compliant for a bleak/hopeless time in their lives as depicted on the show, would not read as bleak or hopeless to me as long as it didn't make the canon ending impossible. For example, if you want to write about how Vic is feeling as she leaves Lou and Wayne at the beginning of season two, and she didn't end the story with any hope, I wouldn't consider it a violation of my dnw as long as it didn't alter the end of the season for her, or give her an ending set after the show's finale which negated part or all of it.
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Medium Opt In: Art - Comics
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Crossover Fandom - NOS4A2
Vic McQueen (NOS4A2 TV) & Buffy Summers (Buffyverse)
Vic McQueen (NOS4A2 TV)/Buffy Summers (Buffyverse TV)
Solo: Vic McQueen (NOS4A2 TV) in Buffyverse TV
Solo: Vic McQueen (NOS4A2 TV) in Silent Hill (2006)
Vic McQueen (NOS4A2 TV) & Buffy Summers (Buffyverse)
Vic McQueen (NOS4A2 TV)/Buffy Summers (Buffyverse TV)
Isolated girls touched by the supernatural in ways they don't at first understand, and by vampires! They both want to find connection with others, have a place in the world, and in the process of fighting for those things are brought to a state of hopelessness, of feeling broken due to the things they've experienced. They've taken protector roles for people they care about, and while trying to be strong for them, struggle with keeping things inside, risking the alienation of those they love.
Maybe Vic, upon leaving Haverhill, ends up somewhere she could meet Buffy. Alternately, maybe Buffy, when running from Sunnydale after season two, winds up in Haverhill instead of Los Angeles. Vic's a Slayer, or Buffy's a Creative, or they all have the same roles as in their respective canons and live in the same universe; I'm happy with whatever you choose.
Solo: Vic McQueen (NOS4A2 TV) in Buffyverse TV
Vic as a Creative in this verse! Maybe she'd find herself looking for the victims of different supernatural crimes; does she know they're missing, or is she just trying to meet a friend and the search leads her to a surprising encounter. Vic trying to live a normal life, but demons or witches or demon hunters seek her out for her powers. Or maybe she's a Slayer, and her life is upended for reasons both similar to and different from they are in her canon.
If you'd be interested in having her meet Buffyverse characters, I wouldn't mind bending logistics to make it happen! Maybe Vic, upon leaving Haverhill, ends up somewhere she could meet Buffyverse characters. Giles could hear of her and investigate--maybe it happens between seasons two and three of BTVS and he thinks she might be Buffy, or it's just a completely different investgation. Angel could've been in New England instead of going to California, and maybe he hears about the girl who took care of this other undead guy--what if it's her he's pointed at helping instead of Buffy? Or Drusilla, having lost her family to death/ensoulment/chippedness, decided to take in another lonely girl and becomes drawn to Vic? Vic and Tara meet while trying to escape their families and the limits of their lives at college? She could end up chatting with Oz on a night he and his band have a gig in the same bar she's at.
Solo: Vic McQueen (NOS4A2 TV) in Silent Hill (2006)
With NOS4A2's magic residing in people creating their own worlds and making them real, and the themes of family and trauma, I thought it would be an interesting fit with Silent Hill, a movie about a woman trying to save her adopted child, who in turn is a separated part of a traumatized little girl who pulled a whole town into a separate world after the people in it abused her and failed to help her.
I could see Vic being drawn in to help a child, whether it's Sharon or another. She could adopt Sharon, or a different kid, or just be trying to help a kid not her own.
If you'd be interested in bringing in other NOS4A2 characters, Maggie could be drawn in with Vic, and they could help each other survive! Also, given Charlie's origin story, his need as an adult to find a "mother," and his creation of a world he stores people in, perhaps in this fusion he'd be drawing Vic in to test her suitability in his eyes. With Wayne, and the way in canon that he both loves his mother and is furious with her, and how that's tangled up in her putting him in danger--however unintentionally, however much she was trying to protect him--perhaps he ends up being Creative too, and makes his own world as a response to what he goes through in the second season, and either he puts Vic in it or she has to breach it, to get them out.
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Crossover Fandom - Star Trek
Spock (Star Trek TOS/DSC)/Buffy Summers (Buffyverse)
Spock (Star Trek TOS/DSC)/Ahsoka Tano (Star Wars)
)
Spock (Star Trek TOS/DSC)/Buffy Summers (Buffyverse)
Buffy and Spock share an indulgence in banter, the struggle of feeling they have a dual nature, and that they both died and came back. Also, Buffy has been shown to connect with and love people who are reserved with a great deal of feeling, and be reserved herself even if it’s not always apparent, while Spock has a subtle warmth and loves people who are open and different from him. All of these characters can be very empathetic.
I love these characters, and I'd love anything, whether it's a crossover enabled through Star Trek having a canonical multiverse and time travel, through Buffy's canonical multiple dimensions and dimensional portals, through making it so one of the characters has existed in the other's setting the whole time, or something else that comes to mind for you. Spock is among a group of Vulcans that need to hide on Buffy's Earth for some reason! Maybe they came from their canon planet, or maybe Vulcan is now a dimension! Sunnydale is on a remote planet instead of being a small town! Buffy becomes a vampire and thus lives long enough to see Star Trek's future! Or maybe she's immortal because of the Slayer spell, with the same result. Someone travels backwards or forwards in time! You can go ahead and pretend the canon Star Trek mentions in Buffy don't exist, or apply to a different space canon--or you can keep them as-is if something fun happens to occur to you!
Note: I’d be happy with the Spock I requested being from any of his onscreen appearances, from the young one in Disco, to the one in the original series and movies, and to the older one who ends up pulled into the AOS/Kelvin timeline.
Spock (Star Trek TOS/DSC)/Ahsoka Tano (Star Wars)
I’d be into a scenario in which one canon is in the other’s past, or one in which the universes are distantly related because something happened really far back to make them separate. Mostly I just love these characters and their complex relationships to their cultures and their sense of themselves. Ahsoka leaves the Jedi as an institution and doesn’t seem to feel she can call herself one, but she is one in how she has internalized her Jedi learning and how she chooses to live. Spock, being half Vulcan, struggles with feelings of inadequacy with regards to being a worthy example of his culture, learns to reach out to people who are different from that culture and outside of it, and still internalizes it and respects it. Like they have these paths of understanding and honoring themselves and what informs them, and they are such extraordinary people. Also, the differences and similarities between Jedi and Vulcans are interesting, with the shared emphasis on restraint and attaining serenity, but the Jedi relying on intuition/feeling/the sense of their sense of Force, and the Vulcans relying on scientific inquiry.
I love them, and I'd be happy with anything, whether it be a crossover fusing parts of one universe into another, AU'ing one character into the other's universe, linking them through the various ways of canonical time/dimension traveling, or something else that comes to mind for you.
Note: I’d be happy with the Spock I requested being from any of his onscreen appearances, from the young one in Disco, to the one in the original series and movies, and to the older one who ends up pulled into the AOS/Kelvin timeline, and I’d be happy with Ahsoka from all her onscreen appearances as well.
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Motherland: Fort Salem (TV)
Solo: Abigail Bellweather (Motherland: Fort Salem)
I love her ambition and swagger and the care she has for those she loves. I love seeing her vulnerable and breaking down, and how she pushes forward. She's so much. Anything about her and her world would be great; the family dynamics with her three dads, her and her mother's love mixed with the tension of them both needing her to be great, her relationship with her powerful grandmother. I also really enjoy her rivalry with Libba, her conflicts and then loyalty with her unit, the bonding with Raelle, her enthusiasm and confidence with lovers, the sweetness yet prickly relationship with Adil, anger and vulnerability with Bridey, her devotion to Charvel and her family in general.
It'd be great to see her at a High Atlantic ball, or practicing her hand-to-hand, or her magic. Maybe tired after a fight, but trying to hold herself together. Or being held and comforted.
If you'd like to include a ship, I like her with Libba, Raelle, poly with Raelle and Tally, and Adil!
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Buffyverse (TV)
Wishverse Angel/Wishverse Buffy Summers (Buffyverse TV)
Tara Maclay/Buffy Summers (Buffyverse TV)
Wishverse Angel/Wishverse Buffy Summers (Buffyverse TV)
In the original universe, Buffy receives Angel's help (and along with the support of everyone else) as soon as she gets to the Hellmouth. What's it like in a world in which she knows he's a vampire before she ever trusts him, and in which she can barely bring herself to work with anyone? Angel waited for her--how is it to finally meet her and realize she's changed a lot from the girl he saw and committed to helping? The tension of their dynamic is so different, even in comparison to when they're enemies in the original universe, yet Buffy frees him despite her distrust--when she didn't even want to listen to Giles--and they work well together. I'd love a missing scene of them on the way to the last encounter, or a what if they survived the Bronze situation. She was intending to leave after killing the Master; he could attempt to return to his earlier mission and follow her. Or maybe she decides to stay to clean Sunnydale up some--how would they fit?
Tara Maclay/Buffy Summers (Buffyverse TV)
I’ve had a soft spot for them ever since Tara held a crying Buffy on her lap in “Dead Things.” I love Buffy’s accidental slipups—she doesn’t set out to confide in her or open herself up, mired as she is by then in feeling she has to be strong alone, but she responds to Tara and feels safe talking to her. You can see it even before that, as early as “The Body” when they talk about their mothers’ deaths. I also love the moment when Buffy takes the lead and stands up for Tara in front of her relatives, when Tara is feeling vulnerable and terrified of rejection. And then Tara seems to echo that chivalry later, when Buffy is uncomfortable with Spike but can’t fend him off herself because she’s distraught. I’d love to get a missing scene from season six after Buffy had that breakthrough, when it seemed they were getting closer. Or an alternate universe where Tara lives, but Willow still goes dark for a bit, and they need to recover. What if Willow manages to bring her back, and Buffy helps her cope?
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Star Trek: The Original Series
Mirror Spock/Mirror Nyota Uhura (Star Trek TOS), Mirror Spock/Nyota Uhura (Star Trek TOS)
Mirror Spock/Mirror Nyota Uhura (Star Trek TOS)
So I really enjoyed the little hint of how their relationship might mirror the one in the Prime universe. That comment from Sulu about how neither the captain nor Spock was there to mind his being away from his post to hit on her...I don’t mean it’s an in-universe reference, necessarily, but it does make me think of “The Naked Time” episode, when Spock is watching an infected Sulu go after Uhura. I wonder if he’s protected her like that in this universe, and given what it is, whether that protection would come with a price, or be part of an alliance. Are they careful with each other always, or can there be any level of trust?
Mirror Spock/Nyota Uhura (Star Trek TOS)
The mirror universe is a fun concept, and I’d love more on how the characters would think about the other versions of themselves/the people they know, and how that information would be layered into what they already knew despite the understanding that people are different. I would love to see how what seems like a friendly, fun dynamic with shared interests in the original universe is reflected in one where everyone must have their guard up just to stay alive, let alone as imperial officers. Uhura did a fine job of playing a role in the episode, but she didn’t have to be around Mirror Spock much. What if she had? What kinds of similarities and differences would they notice about each other, and how would they react to noticing?
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Thank you so much for your work and time!
I'm so happy you're here. Thank you for whatever you decide to create for me! If you would like to see more thoughts beyond my signup details, or even just my signup details in list form and not as a blocks of text, this is for you. If not, feel free to go with where the story takes you; I'd be happy to see what you create, as long as my dnws are respected!
Please disregard any variation in length when it comes to prompts; I want all of these things!
Likes:
Parallels and contrasts between characters and their journeys. Characters looking out for each other and rescuing each other, giving care and emotional support. Especially women receiving care and support, getting their needs made a priority by their loved ones. Canon divergence and role reversals are loved, though I also enjoy other AUs.
More things I enjoy:
- fusions, CYOA, outside pov, story/fragments of story as told in-universe, IF/interactive fiction, illustrated fic, poetry, epistolary, vignettes, character studies, plotty stuff, 5+1 stories, angst, fluff, smut, adventure, characters talking to each other, road trips
- enemies to lovers, friends/lovers to enemies to lovers/friends, pining, worldbuilding, quiet character moments
- bittersweet endings, happy endings, open/ambiguous endings
- quiet and subtle romance, the total opposite of quiet and subtle romance, psychological horror, messy and complicated dynamics, blurring between obligation/need and love, fear/horror/anger mixed with desire/love
- politics, isolation, competitiveness, limited agency, legacy, manipulation, scheming
- Force bonds, Force shenanigans, Force Ghosts, Ahsoka’s fangs, connecting to the force together
- time travel, weird worlds/dimensions, time moves differently, time loops (including those which get reset with death, and where the person in the loop resets it purposefully by dying), time freezing
- undercover, undercover as a couple, mission fic, teaching games
- scars, suspense, compromised sense of self, interpersonal tension, duty versus desire, love/hate, possessiveness, insecurity, secret relationships, secrets
- trust issues, implicit trust, emotional intimacy
- casual displays of affection, shared beds, snuggling, sitting/lying in laps, jumping people, rough kissing, neck kissing, kissing tears, kissing hands (back of or palm), nuzzling, afterglow cuddles, sexy baths, sexy showers, bruises, marks, hair-pulling, face-touching, arms around shoulders/waists, forehead kisses, forehead touching, tied up with own clothes/other's clothes/clothes in general, nuzzling, hand holding, choking, breathplay, bloodplay, biting, scratching, growling, blindfolding, chains
- stories where the woman/women are a significant part of the man/men’s characterization, stories where the woman/women are a significant part of each other’s characterization, characters gathering each other’s backstory a little at a time, investigating each other
- spying, sex and violence paired together, body heat sharing
- loneliness, mutual pining
- dreams, fix-it, parallel universes, parallel universe characters
- us against the world
- ghosts
- rule 63'ing male characters (where they were always a girl)
- learning new skills
- gothic romance
Smut Likes:
- character focus in smut, competitive smut, ulterior motives for sex, scars, possessiveness, love/hate, the divine as sex
- cunnilingus, choking, breathplay, bloodplay, biting, scratching, Ahsoka's fangs, growling, blindfolding, chains, rough sex, rough kissing, lap sex, sex on furniture, sex against walls, slow sex, quick sex, gentle sex, neck kissing, kissing tears, kissing hands (back of or palm), nuzzling, afterglow cuddles, underwater sex, sexy baths, sexy showers, desperate sex, bruises, marks, hair-pulling, face-touching, arms around shoulders/waists, eating her out while holding her hand, multiple orgasms, forehead kisses, forehead touching, tied up with own clothes/other's clothes/clothes in general, nuzzling, hand holding, learning new skills, kneeling for cunnilingus and then needing to support her legs as they buckle
- trust issues, implicit trust, emotional intimacy, casual displays of affection
- shared beds, snuggling, jumping people, sitting/lying in laps
- sex and violence paired together, fucking in the same room as your enemies' corpse
- body heat sharing
- dreams
- pining, mutual pining
- ghost sex
- feeling each others' sensations during sex
- Force/magic shenanigans, using the Force for sex, Vulcan Mind Meld during on-your-knees cunnilingus
AU Likes:
Canon divergence
Period AUs - Regency (played straight or fantasy/science-fiction, in our world or another), 1920s, Jazz Age, Medieval, Renaissance, Byzantine Empire, Ancient Roman, Ancient Greece
Genres - planetary romance, fairy tale, magical girl, steampunk, pirate, high fantasy, noir
Other Canons - Buffy the Vampire Slayer, Star Wars, Star Trek, Jupiter Ascending, Silent Hill (2006), Clue, Annihilation (2018), Southern Reach trilogy, 30 Days of Night, The Mummy (1999-2001), Happy Death Day, Pacific Rim
IF Likes:
I use Windows 7 and Apple mobile devices. Most of my experience is with choice games--for example, like Alabaster, The Book of Guenevere, Affairs of the Court, visual novels like Oxenfree and Cinders, dating sims like Long Live the Queen and Magical Diary , and paper books where you turn to a page for every choice--but I’d be delighted with a parser game too. Puzzles, mazes, and timers aren’t a strength of mine, so I would enjoy a walkthrough if those are present.
Art Likes:
General:
any art style, rough sketches and clean line art both, color and composition to set mood, comics, scenery, single and group character poses, cute or actiony or romantic or moody or creepy, character expressions, body language, art of characters as tarot cards, dreams, in-universe art, characters with their loved ones (whether or not they're having a good time), characters with their enemies, characters doing the kind of thing they are good at in canon, lineart, lineless art, black and white/grayscale, bright colors, deep colors, subdued colors, pastel colors, monochrome, color highlights, anything with my AU likes
Poses:
non-explicit poses like characters kissing (on the mouth, the temple, the top of the head, hands, the cheek, etc), holding hands, hugging, carrying each other (princess carry, fireman, piggyback, shoulder rides), and pressing their foreheads together, petting their faces/hair, arms around shoulders/waists
explicit poses involving anything in my smut likes
Vid Likes:
Atmosphere, created reality, action, character study, pretty images, editing that builds on parallels and/or tells a story, or just has all the feelings (happy, bittersweet, funny, sweet, suspenseful, sweepingly romantic.) Or maybe video that's used in an educational context, or that's part of a report.
For music, I tend to enjoy the sounds of most genres.
DNWs:
If you have questions about any of these as they apply to a request, I welcome contact through the mod!
- bleak/hopeless endings, permanently dead female characters (where she’s not even a ghost)
- mpreg
- detailed gore, detailed description of bodily fluids and excretions, watersports, scat, emetophilia
- noncon (unless requested/prompted)—dubcon is fine, rape (except where otherwise specified), a/b/o,bestiality, oviposition, monster sex, tentacle sex, flowery terms for body parts (love cave, love tunnel), sex without attraction, anal tearing, ass to mouth
- body horror, explicit torture, permanently damaging torture, maiming, mutilating
- animal harm, animal death
- rule 63’ing female characters
- bashing of characters or ships
- unrequited love (except if it's prompted, or if it’s only unrequited in a characters' head)
- permanent breakups unless prompted
- focus on requested characters in unrequested/unprompted ships, non-canon unrequested ships, unrequested/unprompted poly/open relationships
- stories where nobody really cares about the woman/women in the ship
- AUs which don't use canon settings (unless prompted/requested/in list of likes)
- underage (17+ is fine, whether you change canon ages or set things when the characters would be 17+)
- ageplay/infantilization; unrequested/unprompted humiliation
- sexuality/gender headcanons
- coronavirus
- incest (unless prompted/requested), selfcest (unless prompted/requested)
- necrophilia
- vore
- insects, arachnids
- the concept of Anakin and Ahsoka as a father/daugher relationship, dead Ahsoka (unless it's older Force Ghost Ahsoka and/or Ahsoka and Anakin being Force Ghosts together), Jedi Order as evil/immoral (versus deeply flawed institution, which is good)
Length Opt-Ins:
Since "Length Opt-In: Any Nominated Fanfiction Opt-In" appears in every request, I thought it might be helpful to list all the things which that tag covers:
Length Opt-In: 300 minimum words per fic
Length Opt-In: 420 Words Exactly
Length Opt-In: 500 minimum words per fic
Length Opt-In: 666 words exactly
Length Opt-In: 750 minimum words per fic
Length Opt-In: 777 words exactly
Length Opt-In: 999 words exactly
Length Opt-In: Double Drabble
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NOS4A2 (TV 2019)
Solo: Vic McQueen (NOS4A2)
I love Vic and so feel for her attempts to believe she can claim a space in the world for herself, her fear that she can't and doesn't belong in the kind of life she wants to have, her despair and her struggle. I'd just love to have anything! Give me Vic struggling with her trauma, and/or having a moment that's not so bad, that gives her hope.
A good July Fourth memory! I like how that's something she passed on to her son, and that they both enjoy. Or maybe her relationship to her art; she seems to drop it after the incident in her father's girlfriends' garage, when she uses it to cope with her pain and stress and it contributes to the deterioration of her relationship with her father, and though she does pick it back up in a different way during the years in Gunbarrel, she doesn't seem to recommit until the end, when it becomes something she uses to make things better with Wayne. What about her pregnancy? She was determined not to get pregnant young, but then she kept the baby, and we saw it was a difficult birth, one that left her worried about the baby. I'd also love something exploring the way she tries to keep things together for her family, past and present, and the responsibility she feels to make things okay, to be okay, to help the people she feels need her, whether it's her parents when they fight, or Haley, or eventually Maggie, Jolene, Craig and Wayne and Lou. And her fear that she can't be what she needs to be, what others need her to be, that she can't have and doesn't belong in the life she wants, her attempts to keep herself together. I liked that the text of the show described her as traumatized through Tabitha's outside gaze, and that with Chris' episode, the show seemed to be situating her alongside her war veteran father and grandfather as having PTSD. Exploration of that PTSD, with or without a focus on the element of trauma across the generations of her family, would be interesting to me!
What about time travel, or being stuck in a time loop? Given this canon’s focus on trauma and how it can be part of you and extend to others, how a person can be “stuck” in it, and identify with it or experience life’s possibilities as bound by it, I think time travel, time loops, and alternate dimensions could provide interesting way to look at Vic. She could be stuck and relive her pain, or relate to who she was/will be in a more literal way, or see who she might have been, or could still be. Would she try to rescue her younger self, change a decision, or feel fatalistic about the possibility of changing her life? What if she sees an alternate universe version of herself--perhaps one that did go to school with the scholarship she earned, whether or not she kept the baby? I feel like with time travel, there’s so much more opportunity for self-reflection, self-knowledge and understanding, and change.
All her dynamics interest me! I'd love gen focusing on one of these relationships. Ship-wise, I'd be happy with Maggie, Drew, Craig, Lou, and (unrequited on his part) Vic/Charlie.
With Craig - Would enjoy seeing something from the time they and Willa were friends before they drifted apart! Or looks at their relationship while it lasts, or her in the immediate aftermath of his death. I like that she tells him about her secret ability, and how they come together because he's there for her unconditionally when she's feeling more and more isolated on shaky ground. When together, they do things (drugs, alcohol) she'd previously spoken about as keeping him away from her. Losing her sense of herself and her life lets them be close again, and then she feels totally disconnected from what she wanted when she can't save him. That's interesting!
With Willa - I'd like to see something from when they were friends before high school! Or more of them interacting after they meet back up again in the show. They don't get each other's lives, exactly, but Vic does seem to both like her and respond to Willa, to push herself out of her comfort zone to get what she wants (with her path to trying to get into art school.)
With Drew - I liked that he wanted to support and take care of Vic, and that she seemed happy with him. They have a disconnect in how they see the world and themselves in relation to it, relating not just to their class but to their relationships with their families. It's interesting that his attempt to show concern came out so terribly because of that disconnect, such that he hits upon her struggles with her father but can't actually offer anything she needs in doing so, leaving her alienated, feeling more alone than before. I'd be into more moments of their relationship before that, showing that tension of her being happy but not quite sure they fit. Or maybe what would've happened if he'd kept from opining on her family, or just been there for her instead.
With Wayne - Maybe something of her and Wayne drawing together post-series? I liked when Wayne asked her if she ever got all the way better, and her lying, but later trying to help him cope with his experiences by offering more openness than she had previously exhibited, and the care she took in trying to convey her meaning to her child. How do you talk about that with your kid? Or what about a moment before the start of season two, in which she tries to be there for him and it doesn't go all bad?
With Linda - Talking with her mother; their parenting is different, in that Vic seems to have tried to be the indulgent figure her dad was to her, but also similar, in that her fear for her kid was part of a pain that strained their relationship in how she handled it, despite her best efforts. I liked that she saw herself in her mom by the end of the show.
With Lou - Having a moment of openness with Lou. I like how he tries so hard to be there for her, while being willing to call her out and pull her out of her head when she's lost perspective on what he and Wayne need from her. And I like that she does try and listen to him. I would also be interested in a look at how their relationship grew between seasons! She tries to keep it together for him, and for the sake of the life she's trying to build and protect with him and Wayne, but that projection of strength and her trying to be okay actually alienate him despite his best efforts. The tension between what they try to be and want to be, the ways their relationship doesn't work and the ways that it does, and the fact that they both still love each other and want to keep trying--I'd be so into more of that.
With Haley - What about Haley--does she see Haley after? She cared for this girl, was driven to help her; how would she feel about seeing her, or not seeing her, having rescued her years later? I'd also like to see something of their past, a time when she babysat her.
With Millie - What if Millie comes back and tries to see Wayne? It would be interesting for Vic to meet the girl whose father she killed--with the same girl's help--after he killed her father. They both have a journey of being daddy's girls and losing faith in their fathers while coming to connect with their mothers, and being stuck in quagmires after Charlie derailed their lives. And I liked Vic recognizing that Millie was scared during the initial confrontation in Christmasland--there's a lot going on there, with Vic trying to get her son and try to reach him, undermine Charlie's influence, through Millie, but also maybe seeing herself, as a teenager, struggling with how she saw her father.
With Maggie - Or a moment of her choosing to be there for Maggie after Maggie decides to explore more of the Creative worlds out there, despite not agreeing with her decision? They keep coming back to each other, after all; when one tries to leave the supernatural behind while the other stays with it, she ends up getting pulled back. I enjoy their chats, whether in bed or at bodies of water, and how they need to be at each other's hospital beds, and things like Vic going back for Maggie and Maggie pulling Vic away from destruction on her own bridge.
With Chris - Thinking back on her father and her relationship with/projection onto him? The unsettling shifts in her perception of him, of their connection, and of their similarities? She tries so hard to rely on him, only to reject that severely when she feels she can't do it anymore. Their relationship and her self-perception are so tied up, I'd love to see her coping with that during the show, or between seasons, or after he's dead.
With Charlie - Vic's haunted. Figuratively, or maybe literally! Given that ghosts do exist in this universe, and that they seem to be tied both to a Creative's power to break through dimensions and the personal connections they had to the living, it makes sense that Vic could have ghosts. Like Charlie, who died in her inscape. I find the connection between their narratives in the show interesting. We see him tell her things that reflect her own fears about who she's become and how she is as a mother. His story echoes and parallels hers to an extent--the being closed-off regarding past trauma when they're trying to build a life and family, the alcoholism, the fact that they are just not fine and not doing great, experiencing sexual assault, how they attempt to use their words to sway Bing's loyalties--but they also contrast, in that her self-destruction involves her trying to flee her family for their safety, and his self-destruction involves taking his family along with him. He's as horrible as she fears she is and they're stuck in how they think of themselves.
With Bing - She was feeling fairly lonely at the beginning of the series, which I feel influenced their initial friendship, and then the thing he does to get himself a more fulfilling life is part of what destroys her. It would be interesting to explore the aftermath of finding Sharon's body, of knowing what he did, and the ways her perception of him and everything she thought she knew have been shattered and shifted. I like the tension in how his trying to force her forgiveness makes her word things so carefully and touch his hand, how messed up that whole situation is, and that she has Lou's support as she goes through it. Seeing how this affects her, and how she copes with it, is something I'd be into.
With Jolene - They had such a short time knowing each other, but I really liked Vic's care as she helped Jolene get up and get into her wheelchair, and Vic finding her amazing, and wanting the relief of having Jolene help her with Charlie, only to watch her die and internalize her insistence that Vic had to be the one to handle him. I'd love to get more of them somehow, or to see the impact Jolene had on her.
I dnw bleak/hopeless endings, but if it helps makes things any clearer for this fandom: an ending that seems bleak and hopeless for the characters because it's canon compliant for a bleak/hopeless time in their lives as depicted on the show, would not read as bleak or hopeless to me as long as it didn't make the canon ending impossible. For example, if you want to write about how Vic is feeling as she leaves Lou and Wayne at the beginning of season two, and she didn't end the story with any hope, I wouldn't consider it a violation of my dnw as long as it didn't alter the end of the season for her, or give her an ending set after the show's finale which negated part or all of it.
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Crossover Fandom - NOS4A2
Vic McQueen (NOS4A2 TV) & Buffy Summers (Buffyverse)
Vic McQueen (NOS4A2 TV)/Buffy Summers (Buffyverse TV)
Solo: Vic McQueen (NOS4A2 TV) in Buffyverse TV
Solo: Vic McQueen (NOS4A2 TV) in Silent Hill (2006)
Vic McQueen (NOS4A2 TV) & Buffy Summers (Buffyverse)
Vic McQueen (NOS4A2 TV)/Buffy Summers (Buffyverse TV)
Isolated girls touched by the supernatural in ways they don't at first understand, and by vampires! They both want to find connection with others, have a place in the world, and in the process of fighting for those things are brought to a state of hopelessness, of feeling broken due to the things they've experienced. They've taken protector roles for people they care about, and while trying to be strong for them, struggle with keeping things inside, risking the alienation of those they love.
Maybe Vic, upon leaving Haverhill, ends up somewhere she could meet Buffy. Alternately, maybe Buffy, when running from Sunnydale after season two, winds up in Haverhill instead of Los Angeles. Vic's a Slayer, or Buffy's a Creative, or they all have the same roles as in their respective canons and live in the same universe; I'm happy with whatever you choose.
Solo: Vic McQueen (NOS4A2 TV) in Buffyverse TV
Vic as a Creative in this verse! Maybe she'd find herself looking for the victims of different supernatural crimes; does she know they're missing, or is she just trying to meet a friend and the search leads her to a surprising encounter. Vic trying to live a normal life, but demons or witches or demon hunters seek her out for her powers. Or maybe she's a Slayer, and her life is upended for reasons both similar to and different from they are in her canon.
If you'd be interested in having her meet Buffyverse characters, I wouldn't mind bending logistics to make it happen! Maybe Vic, upon leaving Haverhill, ends up somewhere she could meet Buffyverse characters. Giles could hear of her and investigate--maybe it happens between seasons two and three of BTVS and he thinks she might be Buffy, or it's just a completely different investgation. Angel could've been in New England instead of going to California, and maybe he hears about the girl who took care of this other undead guy--what if it's her he's pointed at helping instead of Buffy? Or Drusilla, having lost her family to death/ensoulment/chippedness, decided to take in another lonely girl and becomes drawn to Vic? Vic and Tara meet while trying to escape their families and the limits of their lives at college? She could end up chatting with Oz on a night he and his band have a gig in the same bar she's at.
Solo: Vic McQueen (NOS4A2 TV) in Silent Hill (2006)
With NOS4A2's magic residing in people creating their own worlds and making them real, and the themes of family and trauma, I thought it would be an interesting fit with Silent Hill, a movie about a woman trying to save her adopted child, who in turn is a separated part of a traumatized little girl who pulled a whole town into a separate world after the people in it abused her and failed to help her.
I could see Vic being drawn in to help a child, whether it's Sharon or another. She could adopt Sharon, or a different kid, or just be trying to help a kid not her own.
If you'd be interested in bringing in other NOS4A2 characters, Maggie could be drawn in with Vic, and they could help each other survive! Also, given Charlie's origin story, his need as an adult to find a "mother," and his creation of a world he stores people in, perhaps in this fusion he'd be drawing Vic in to test her suitability in his eyes. With Wayne, and the way in canon that he both loves his mother and is furious with her, and how that's tangled up in her putting him in danger--however unintentionally, however much she was trying to protect him--perhaps he ends up being Creative too, and makes his own world as a response to what he goes through in the second season, and either he puts Vic in it or she has to breach it, to get them out.
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Crossover Fandom - Star Trek
Spock (Star Trek TOS/DSC)/Buffy Summers (Buffyverse)
Spock (Star Trek TOS/DSC)/Ahsoka Tano (Star Wars)
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Spock (Star Trek TOS/DSC)/Buffy Summers (Buffyverse)
Buffy and Spock share an indulgence in banter, the struggle of feeling they have a dual nature, and that they both died and came back. Also, Buffy has been shown to connect with and love people who are reserved with a great deal of feeling, and be reserved herself even if it’s not always apparent, while Spock has a subtle warmth and loves people who are open and different from him. All of these characters can be very empathetic.
I love these characters, and I'd love anything, whether it's a crossover enabled through Star Trek having a canonical multiverse and time travel, through Buffy's canonical multiple dimensions and dimensional portals, through making it so one of the characters has existed in the other's setting the whole time, or something else that comes to mind for you. Spock is among a group of Vulcans that need to hide on Buffy's Earth for some reason! Maybe they came from their canon planet, or maybe Vulcan is now a dimension! Sunnydale is on a remote planet instead of being a small town! Buffy becomes a vampire and thus lives long enough to see Star Trek's future! Or maybe she's immortal because of the Slayer spell, with the same result. Someone travels backwards or forwards in time! You can go ahead and pretend the canon Star Trek mentions in Buffy don't exist, or apply to a different space canon--or you can keep them as-is if something fun happens to occur to you!
Note: I’d be happy with the Spock I requested being from any of his onscreen appearances, from the young one in Disco, to the one in the original series and movies, and to the older one who ends up pulled into the AOS/Kelvin timeline.
Spock (Star Trek TOS/DSC)/Ahsoka Tano (Star Wars)
I’d be into a scenario in which one canon is in the other’s past, or one in which the universes are distantly related because something happened really far back to make them separate. Mostly I just love these characters and their complex relationships to their cultures and their sense of themselves. Ahsoka leaves the Jedi as an institution and doesn’t seem to feel she can call herself one, but she is one in how she has internalized her Jedi learning and how she chooses to live. Spock, being half Vulcan, struggles with feelings of inadequacy with regards to being a worthy example of his culture, learns to reach out to people who are different from that culture and outside of it, and still internalizes it and respects it. Like they have these paths of understanding and honoring themselves and what informs them, and they are such extraordinary people. Also, the differences and similarities between Jedi and Vulcans are interesting, with the shared emphasis on restraint and attaining serenity, but the Jedi relying on intuition/feeling/the sense of their sense of Force, and the Vulcans relying on scientific inquiry.
I love them, and I'd be happy with anything, whether it be a crossover fusing parts of one universe into another, AU'ing one character into the other's universe, linking them through the various ways of canonical time/dimension traveling, or something else that comes to mind for you.
Note: I’d be happy with the Spock I requested being from any of his onscreen appearances, from the young one in Disco, to the one in the original series and movies, and to the older one who ends up pulled into the AOS/Kelvin timeline, and I’d be happy with Ahsoka from all her onscreen appearances as well.
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Motherland: Fort Salem (TV)
Solo: Abigail Bellweather (Motherland: Fort Salem)
I love her ambition and swagger and the care she has for those she loves. I love seeing her vulnerable and breaking down, and how she pushes forward. She's so much. Anything about her and her world would be great; the family dynamics with her three dads, her and her mother's love mixed with the tension of them both needing her to be great, her relationship with her powerful grandmother. I also really enjoy her rivalry with Libba, her conflicts and then loyalty with her unit, the bonding with Raelle, her enthusiasm and confidence with lovers, the sweetness yet prickly relationship with Adil, anger and vulnerability with Bridey, her devotion to Charvel and her family in general.
It'd be great to see her at a High Atlantic ball, or practicing her hand-to-hand, or her magic. Maybe tired after a fight, but trying to hold herself together. Or being held and comforted.
If you'd like to include a ship, I like her with Libba, Raelle, poly with Raelle and Tally, and Adil!
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Buffyverse (TV)
Wishverse Angel/Wishverse Buffy Summers (Buffyverse TV)
Tara Maclay/Buffy Summers (Buffyverse TV)
Wishverse Angel/Wishverse Buffy Summers (Buffyverse TV)
In the original universe, Buffy receives Angel's help (and along with the support of everyone else) as soon as she gets to the Hellmouth. What's it like in a world in which she knows he's a vampire before she ever trusts him, and in which she can barely bring herself to work with anyone? Angel waited for her--how is it to finally meet her and realize she's changed a lot from the girl he saw and committed to helping? The tension of their dynamic is so different, even in comparison to when they're enemies in the original universe, yet Buffy frees him despite her distrust--when she didn't even want to listen to Giles--and they work well together. I'd love a missing scene of them on the way to the last encounter, or a what if they survived the Bronze situation. She was intending to leave after killing the Master; he could attempt to return to his earlier mission and follow her. Or maybe she decides to stay to clean Sunnydale up some--how would they fit?
Tara Maclay/Buffy Summers (Buffyverse TV)
I’ve had a soft spot for them ever since Tara held a crying Buffy on her lap in “Dead Things.” I love Buffy’s accidental slipups—she doesn’t set out to confide in her or open herself up, mired as she is by then in feeling she has to be strong alone, but she responds to Tara and feels safe talking to her. You can see it even before that, as early as “The Body” when they talk about their mothers’ deaths. I also love the moment when Buffy takes the lead and stands up for Tara in front of her relatives, when Tara is feeling vulnerable and terrified of rejection. And then Tara seems to echo that chivalry later, when Buffy is uncomfortable with Spike but can’t fend him off herself because she’s distraught. I’d love to get a missing scene from season six after Buffy had that breakthrough, when it seemed they were getting closer. Or an alternate universe where Tara lives, but Willow still goes dark for a bit, and they need to recover. What if Willow manages to bring her back, and Buffy helps her cope?
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Star Trek: The Original Series
Mirror Spock/Mirror Nyota Uhura (Star Trek TOS), Mirror Spock/Nyota Uhura (Star Trek TOS)
Mirror Spock/Mirror Nyota Uhura (Star Trek TOS)
So I really enjoyed the little hint of how their relationship might mirror the one in the Prime universe. That comment from Sulu about how neither the captain nor Spock was there to mind his being away from his post to hit on her...I don’t mean it’s an in-universe reference, necessarily, but it does make me think of “The Naked Time” episode, when Spock is watching an infected Sulu go after Uhura. I wonder if he’s protected her like that in this universe, and given what it is, whether that protection would come with a price, or be part of an alliance. Are they careful with each other always, or can there be any level of trust?
Mirror Spock/Nyota Uhura (Star Trek TOS)
The mirror universe is a fun concept, and I’d love more on how the characters would think about the other versions of themselves/the people they know, and how that information would be layered into what they already knew despite the understanding that people are different. I would love to see how what seems like a friendly, fun dynamic with shared interests in the original universe is reflected in one where everyone must have their guard up just to stay alive, let alone as imperial officers. Uhura did a fine job of playing a role in the episode, but she didn’t have to be around Mirror Spock much. What if she had? What kinds of similarities and differences would they notice about each other, and how would they react to noticing?
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Thank you so much for your work and time!
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